BOOKS
Please list
a few of the most influential books you have read and briefly explain how they
have influenced you.
Michael Ondaatje, Anil’s Ghost- He gave me examples of how you can make
writing in present tense work and how you can pull off making female lead
characters as strong as their male counterparts. The irony of creating his outspoken character
Anil, a forensic anthropologist native to Sri Lanka, showed me how he attempted
to push past gender discrimination by setting her smart personality against the
backdrop of this third world country.
Ernest Hemingway, Farewell to Arms- He showed me that using stream of
consciousness can add intrigue to your writing by making it come off as a
diary. By using this method he was also
able to describe critical events (his child dying at birth, Santiago ridiculed
in Old Man in the Sea) with objection.
John Steinbeck, East of Eden-He demonstrated how to really show character
development for example by writing about a fight that the main character Adam
has with his brother as a youth. He then
builds upon this relationship for the rest of the novel. He also was able to show how characters like
Cathy, Aron, and Cal are also neither good nor bad but multi-dimensional.
Charles Bukowski, Post Office- Gave me an example of how to use stream of
consciousness to reflect objectively about the drama of heated, unhealthy
relationships, jobs, and race horsing. His writing influenced me to be attracted to seeking out a gritty,
humble style of reflecting.
Garrison Keillor, Liberty- Was attracted to him because he showed me how
to combine a sense of roots with humor, and liberation from feeling religiously
reserved.
Edith Wharton, Ethan Frome-Back when I was a teenager I remember being
influenced by her elegance at being able to objectively describe Ethan and
Matte’s crippled lives when they tried to liberate themselves from their provincial
town by falling in love.
Rabbit Run series by John Updike-Showed me how a writer can make an audience
fall in love with the setting if the narrator is feels comfortable in his blue
collar upbringings (in this case the steel town of Brewer, PA). He gave me another example of how to use
stream of consciousness to accept one’s (Henry’s) 1950’s era fate of being
stuck in a flat marriage and as a car salesman. He helped his audience feel beget of sprit when his main character
liberates himself from oppressive circumstances by relying on impulse.
Sylvia Plath, the Bell Jar- Was another example of how to accept wanting
to commit suicide by writing through stream of conscience. Through “Victoria Lucas” she proved that you
can move back and forth from being a star to feeling alone and the transition
to either helps create a wrestling within the character that helps us
understand their scholar and their haunts that made them seek out suicide.
David Halberstam, The Fifties-I could see how using a timeline to
transition between political to transmotive innovations, to foreign uprisings
could work to be moving and to see the decade for how influential it was.
Harper
Lee, To Kill a Mockingbird-This book
rubbed off on me more because it was my father’s reason for wanting to become a
judge, than anything else. I looked at
Scout the whole way through the book from my dad’s intentions of seeking out a respite
for the innocent. Later though while I
taught this in high school I saw how Lee was able to use Scout as a character
who was able to question the morals of her society because she was six years
old. Like Mark Twain I caught on to the idea that you could use young
characters to criticize and help change unwavering, prejudice societies.